The Satanist Church and Oulanem
Why did Marx wish such a throne?
The answer is found in a little-known drama which he also composed during his student years. It is called Oulanem. To explain this title, a digression is needed.
One of the rituals of the Satanist church is the back mass, which Satanist priests recite at midnight. Black candles are put in the candlesticks upside down. The priest is dressed in his ornate robes, but with the lining outside. He says all things prescribed in the prayer book, but reads from the end toward the beginning. The holy names of God, Jesus, and Mary are read inversely. A crucifix is fastened upside down or tram-pled upon. A consecrated wafer stolen from a church is in-scribed with the name Satan and is used for a mock communion. During the black mass a Bible is burned. All those present promise to commit the seven deadly sins, as enumerated in Catholic catechisms, and never to do any good. An orgy follows.
Devil worship is very old. The Bible has much to say about - and against - it. For example, the Jews, though entrusted by God with the true religion, some-times faltered in their faith and "sacrificed unto devils" (Deuteronomy 32:17). And King Jeroboam of Israel once ordained priests for devils (2 Chronicles 11:15).
So from time immemorial men have believed in the existence of the Devil. Sin and wickedness are the hall-mark of his kingdom, disintegration and destruction its inevitable result. The great concentrations of evil design in times past as well as in modern communism and nazism would have been impossible without a guiding force, the Devil himself. He has been the mastermind, the secret agent, supplying the unifying energy in his grand scheme to control mankind.
Characteristically, "Oulanem" is an inversion of a holy name. It is an anagram of Emmanuel, a Biblical name of Jesus which means in Hebrew "God with us." Such inversions of names are considered effective in black magic.
We will be able to understand the drama Oulanem only in the light of a strange confession that Marx made in a poem called "The Player," later downplayed by both himself and his followers:
"The hellish vapours rise and fill the brain, Till I go mad and my heart is utterly changed. See this sword? The prince of darkness Sold it to me. For me he beats the time and gives the signs. Ever more boldly I play the dance of death."
These lines take on special significance when we learn that in the rites of higher initiation in the Satanist cult an "enchanted" sword which ensures success is sold to the candidate. He pays for it by signing a covenant, with blood taken from his wrists, agreeing that his soul will belong to Satan after death.
(To enable the reader to grasp the horrid intent of these poems, I should mention - though with natural revulsion - that "The Satanic Bible," after saying "the crucifix symbolizes pallid incompetence hanging on a tree," calls Satan "the ineffable Prince of Darkness who rules the each." As opposed to "the lasting foulness of Bethlehem," "the cursed Nazarene," "the impotent king," "fugitive and mute god," "vile and abhorred pre-tender to the majesty of Satan," the Devil is called "the God of Light," with angels "cowering and trembling with fear and prostrating themselves before him" and "sending Christian minions staggering to their doom.")
Now I quote from the drama Oulanem itself:
And they are also Oulanem, Oulanem. The name rings forth like death, rings forth Until it dies away in a wretched crawl. Stop, I've got it now! It rises from my soul As clear as air, as strong as my bones.
Yet I have power within my youthful arms To clench and crush you (i.e., personified humanity] with tempestuous force, While for us both the abyss yawns in darkness. You will sink down and I shall follow laughing, Whispering in your ears, "Descend, come with me, friend."
The Bible, which Marx had studied in his high school years and which he knew quite well in his ma-ture years, says that the Devil will be bound by an angel and cast into the bottomless pit (abyssos in Greek; see Revelation 20:3). Marx desires to draw the whole of mankind into this pit reserved for the Devil and his angels.
Who speaks through Marx in this drama? Is it rea-sonable to expect a young student to entertain as his life's dream the vision of mankind entering into the abyss of darkness ("outer darkness" is a Biblical expression for hell) and of himself laughing as he follows those he has led to unbelief? Nowhere in the world is this ideal cultivated except in the initiation rites of the Satanist church at its highest degrees.
When, in the drama, the time comes for Oulanem's death, his words are:
"Ruined, ruined. My time has clean run out. The clock has stopped, the pygmy house has crumbled. Soon I shall embrace eternity to my breast, and soon I shall howl gigantic curses on mankind."
Marx had loved the words of Mephistopheles in Faust: "Everything in existence is worth being de-stroyed." Everything, including the proletariat and the comrades. Marx quotes these words in The 18th Brumaire. Stalin acted on them and destroyed even his own family.
Satan is called in Faust the spirit that denies every-thing. This is precisely Marx's attitude. He writes about "pitiless criticism of all that exists"; "war against the situation in Germany"; "merciless criticism of all." He adds, "It is the first duty of the press to undermine the foundations of the existing political system." Marx said about himself that he is "the most outstanding hater of the so-called positive."
The Satanist sect is not materialistic. It believes in eternal life. Oulanem, the person through whom Marx speaks, does not question this. He asserts eternal life, but as a life of hate magnified to its extreme.
It is worth noting that eternity for devils means torment. Note Jesus' reproach by demons: "Art thou come hither to torment us before the time?" (Matthew 8:29).
Marx is similarly obsessed:
"Ha! Eternity! She is our eternal grief, An indescribable and immeasurable Death, Vile artificiality conceived to scorn us, Ourselves being clockwork, blindly mechanical, Made to be the fool-calendars of Time and Space, Having no purpose save to happen, to be ruined, So that there shall be something to ruin."
We begin now to understand what has happened to young Marx. He had had Christian convictions, but had not led a consistent life. His correspondence with his father testifies to his squandering great sums of money on pleasures and his constant quarrelling with parental authority about this and other matters. Then he seems to have fallen in with the tenets of the highly secret Satanist church and received the rites of initi-ation.
Satan, who his worshipers see in their hallucinatory orgies, actually speaks through them. Thus Marx is only Satan's mouthpiece when he utters in his poem "Invocation of One in Despair" the words, "I wish to avenge myself against the One who rules above." - Listen to the end of Oulanem:
"If there is a Something which devours, I'll leap within it, though I bring the world to ruins- – The world which bulks between me and the abyss I will smash to pieces with my enduring curses.
I'll throw my arms around its harsh reality, Embracing me, the world will dumbly pass away, And then sink down to utter nothingness, Perished, with no existence - that would be really living."
Marx was probably inspired by the words of the Marquis de Sade:
"I abhor nature. I would like to split its planet, hinder its process, stop the circles of stars, overthrow the globes that float in space, destroy what serves nature, protect what harms it-in a word, I wish to insult it in my works... . Perhaps we will be able to attack the sun, deprive the uni-verse of it, or use it to set the world on fire. These would be real crimes."
De Sade and Marx propagate the same ideas!
Honest men, as well as men inspired by God, often seek to serve their fellowmen by writing books to increase their store of knowledge, improve their morality, stimulate religious sentiments, or at least provide relax-ation and amusement. The Devil is the only being who consciously purveys only evil to humankind, and he does this through his elect servants.
As far as I know, Marx is the only renowned author who has ever called his own writings "shit," "swinish books." He consciously, deliberately gives his readers filth. No wonder, then, that some of his disciples, Communists in Romania and Mozambique, forced prisoners to eat their own ex-crement and drink their own urine.
In Oulanem Marx does what the Devil does: he consigns the entire human race to damnation.
Oulanem is probably the only drama in the world in which all the characters are aware of their own corrup-tion, and flaunt it and celebrate it with conviction. In this drama there is no black and white. There exist no Claudius and Ophelia, Iago and Desdemona. Here all are servants of darkness, all reveal aspects of Mephis-topheles. All are Satanic, corrupt, doomed.
[ 本帖最後由 乜哥 於 2009-6-23 10:10 編輯 ] |